Revolving Paint Dream  was more Andrew Innes's band, though practically the same line-up as Biff Bang Pow!
I have wondered why Alan McGee would have two different bands,
around at the same time, and doing a similar type of music. 
Perhaps  RPD was his more VU-inspired band,
visually as well as aurally, check out the cover art on "Mother Watch Me
Burn". (looks Like a VU cover).
 
For what it's worth, Andrew and Alan played together in Laughing Apple,
co-writing at least "Participate" and "Wouldn't You?"  on the band's second
7".  (The latter was redone by BBP! on their first LP, which, BTW, was
dedicated to J.C. Brouchard.)  Perhaps RPD evolved more directly from the
Inness/McGee patnership in Laughing Apple, while BBP! was a more
Alan-controlled affair
 
_____________________________________________________________
 
From the www.twee.net Shalala-list archives :
 
Re: The Revolving Paint Dream
    Biff Bang Pow !
    J.C. Brouchard
 
My humble approach on a theory, a jigsaw puzzle in chronological order by
someone who never even witnessed a live show by those bands ... following
Laughing Apple the collaboration of Alan McGee and Andrew Innes must indeed
have continued under the name of The Revolving Paint Dream, which is
apparent from Alan McGee's vocal duties on an early version of "In The
Afternoon" featured on the _All For Art And Art For All_ compilation album
(alternatively, consult the _Whaam! Bam! Thank You Dan!_ CD).
 
However, I
strongly assume that suddenly afterwards The Revolving Paint Dream became
basically the creative outlet of Andrew Innes. The vocal duties in The
Revolving Paint Dream were solely shared by Andrew and Christine since "The
Flowers In The Sky" debut 7" (Creation 02) while Alan McGee's newly formed
band Biff Bang Pow ! started off around the same time with the "50 Years Of
Fun" 7" (Creation 03).
 
Furthermore, the liner notes for the "lost" _Off To
Heaven_ debut album by The Revolving Paint Dream state:
 
 "The skilfully harnessed bitter sweetness which gave The Flowers [In The Sky debut 7"]
 it's cutting edge soon overspilled into deep bitterness and resentment when the
single failed to gain the respect it clearly reserved.
The last story I heard was that label boss Alan McGee had tried to organise a come-back
concert, in a last desperate attempt at giving the band back some
confidence. After hearing about the plans, however, the band had gone over
to their studio and burned all the tapes they had ever recorded, then
demolished every musical instrument in sight along with half the studio itself.
By the time McGee got there the studio was a smouldering ruin.
After  that .... silence."
 
Mentioning Alan McGee in third person doesn't exactly
sound as if he was a permanent member of The Revolving Paint Dream, let
alone mastermind of the band (provided there is the slightest hint of truth
in this story, the subsequent lines *must* be made up).

On the contrary,
following this first phase of The Revolving Paint Dream both Andrew and
Christine briefly became permanent members of Biff Bang Pow ! which in my
humble opinion paved the way to make _The Girl Who Runs The Beat Hotel_
album (Creation LP 015) the classic masterpiece that it is (fairly obvious
as regards "Someone Stole My Wheels", "The Happiest Girl In The World" and
"If I Die").
What is more, the cancelled second Revolving Paint Dream 7"
scheduled for September '84 (!) was actually supposed to feature both "Wheels
On My Scooter" (= "Someone Stole My Wheels") and "Sunny Days" in exactly the
same versions that appeared a couple of years later on the "Someone Stole My
Wheels" 7"/12" under the name of J.C. Brouchard With Biff Bang Pow !,
a fact which is documented on the excellent "A Tribute To Trick Ricky"
compilation-tape ...
The line-up for those two recordings was Andrew,
Christine and a bass-player named "Puke", which could of course be a well
chosen pseudonym for Alan McGee, but this is rather doubtful.
Issueing old Revolving Paint Dream material under said name also leads to the assumption
that J.C. Brouchard, who is indeed male, only contributed his name and
possibly the photograph on the vinyl of the "Someone Stole My Wheels"
7"/12", save any form of spiritual guidance at the time.
However, J.C.
Brouchard contributed the spoken word parts on "If I Die" and "Five Minutes
In The Life Of Greenwood Goulding" on _The Girl Who Runs The Beat Hotel_
album by Biff Bang Pow (Creation LP 015).
 
Shortly afterwards the previously
mentioned "lost" _Off To Heaven_ album by The Revolving Paint Dream
(Creation LP 018) was finally released featuring a collection of tunes from
the first phase, while the absolutely brilliant _Mother Watch Me Burn_ album
consisted of new material from the second and, unfortunately, final phase.

I'm sure J.C. Brouchard could shed a light on The Revolving Paint Dream
mystery, what's wrong with an innocent ShaLaLa mailing list invitation
anyway ? Besides, I'd be very interested in any demos by a band called The
Formica Tops from around 1984 featuring Christine ...
__________________________________________________________________
 

The Revolving Paint Dream / Biff Bang Pow!
 
My humble approach on partly solving the relative mystery that was The
Revolving Paint Dream can still be found in the archives ...
 
http://www.twee.net/shalala/m199901/mess468.html
 
To the best of my memory, Andrew Innes and Christine Wanless are also
credited on the sleeve of the second Biff Bang Pow! LP, _The Girl That Runs
The Beat Hotel_. Fair enough considering that "Someone Stole My Wheels",
"The Happiest Girl In The World" and "If I Die" are basically Revolving
Paint Dream songs.
In fact, the cancelled second Revolving Paint Dream 7"
sheduled for September '84 (!) was supposed to feature both "Wheels On My
Scooter" (= "Someone Stole My Wheels") and "Sunny Days" in exactly the same
versions that appeared a couple of years later on the "Someone Stole My
Wheels" 7"/12" under the moniker of J.C. Brouchard With Biff Bang Pow!.
More  recently I learned from David Musker (The Televison Personalities / Jasmine
Minks / Slaughter Joe) that he also played on a fair share of Revolving
Paint Dream recordings.
 
Besides, is anyone in the possession of the demos by Christine's other band
at the time, The Formica Tops (who were also supposed to release a single on
Creation Records back in the early days) ?
Only thought I'd ask again now
that the number of subscribers has increased considerably, I'd love a copy
of said recordings (and any unissued stuff by The Revolving Paint Dream, for
that matter).
 
____________________________________________________________________
 
From JC Brouchard :
 
I won't provide infinite details because one thing's for sure :
 I did not understand everything that was going on at the time !
I'll mostly confirm what was mentioned :
 the line up for the first three
albums basically stayed the same :

Alan McGee - Vocal/Guitar
Richard Green - Guitar
Dave Evans - Bass
Ken Popple - Drums

(that was the live line-up, though in 1986 in Reims, Andrew Innes and
Christine Wanless were also on stage)

With help from Andrew on organ and guitar, and it's true that Joe Foster did
not only produce. I think he also played mouth organ and guitar. Another
thing's for sure : it's him playing feedback guitar on "It's make you
scared" (I saw him record it...)

I confirm too that "Someone stole my wheels", "Sunnydays" ("Someone"
b-side), and at least "There you go again" too are Andrew's babies. I'd even
nearly bet that BBP! do not play at all on these songs, which, if true would
actually make them more Revolving Paint Dream songs than BBP! songs...
A thirt thing's for sure : I didn't take any part in the recording of the
J.C. Brouchard with BBP! single !
My only contribution was posing for the label photo...
 
Now that Creation is actually completely over, I do plan to write my version
of the JC Brouchard story, but it will take time!
 
In the meantime, I invite you to visit my webzine
(
http://perso.wanadoo.fr/vivonzeureux/pidgindex.html/) :
 the compilation I  issued last year
with the only new song officially released in the 1990's by The Jasmine
Minks (the wonderful ballad "Blown away") is still available...
 
Live happy.
 
JC
J. C. Brochard
jc.brochard@wanadoo.fr / 28-Aug-2000
 
_________________________________________________________
 
From  http://perso.wanadoo.fr/vivonzeureux/pidgindex.html :
 

JC BROUCHARD "Me and Alan McGee"
 
"Me and Alan McGee", this is the title chosen by Vivonzeureux! Records for
this collection of all the tracks I have recorded for Creation in the 1980's as "spiritual advisor" to Alan McGee, the Creation Records founder and the leader of Biff, Bang, Pow!,
and this is a title that suits me perfectly !
 
True, it is Alan McGee who "created" JC Brouchard, in 1984, but I don't know
 exactly when.
Maybe it was when he received my order coupon for a set of the three singles
by his old band  The Laughing apple that he was selling at a discounted price of £2 the lot.

 Or more probably it was after I had come back to France, after staying in London, when I put
 up the first Creation concert in France, at the MJC Claudel in Reims (on november 3rd 1984,
 with The Jasmine Minks headlining, and Biff, Bang, Pow!
and The Jesus and Mary Chain supporting)
 and that he announced me that the first BBP! album, "Pass the paintbrush, honey",
 would be dedicated to me.
 
Which was done and, from then on, JC Brouchard was born. I had become a genius.
Alan trsuted me with running Non Stop Movement, the Biff, Bang, Pow! fan club I
 went on tour with the band.
I joined them in the studio. Liner note by liner note, I became Alan's guru,
the spiritual advisor to
the band without whom nothing would have been possible. Alan proposed me to
release a single with BBP!,
 "Someone stole my wheels", then took inspiration from me for the title of
the next single ("The whole world is turning Brouchard", which was considered
at one point for the title of this compilation).
When I told Alan that I had translated "Chernobyl baby" into French, the
prefabricated hit he had produced for
 Baby Amphetamine, he arranged for me to record this song with The
Revolving Paint Dream in their studio on
the Isle of Dogs, in London.
 Unfortunately, this song, like its B side, a
cover in French of one of the tracks
from the first Revolving Paint Dream album, had remained unreleased until now.
 
JC Brouchard's adventures made me live some unforgettable moments
(I have not enough space availble to tell
you about all of them here), and made me travel, from Aberdeen to Toulouse,
and from Morlaix to Hamburg,
passing through London and Paris.
 
Of course, it is Alan who put an end to the myth, in february 1988,
by quitting brutally the french BBP!
 tour halfway through, in the most rock'n'roll fashion, the day after a
concert that had all the worst punk traits
 (Alan spitting to the face of the promoters and insulting the audience
during ALL the concert),
leaving alone with Momus who, armed only with his acoustic guitar,
had the very heavy responsiblity to make up for BBP!'s absence the very
same evening, in a night-club in Sète,
 croweded with people who looked they were just out of a club on
Carnaby Street in 1966 !!!
 
JC Brouchard, may 2002